Showing posts with label NYAA. Show all posts
Showing posts with label NYAA. Show all posts
Monday, October 06, 2014
Daughters of Mercury Kickstarter
Labels:
art,
artist,
Bruesselbach,
crowdfunding,
girls,
Janet,
kickstarter,
ladies,
new york,
nude,
NYAA,
oil painting,
painting,
portrait,
portraits,
trans,
women
Friday, May 08, 2009
Veritas Odium Parit
means "truth creates hatred".

Oil on linen, 72'x60', 2009. I started with a composite of several photographs of colliding/gravitationally interacting spiral galaxies, then improvisationally found humanoid figures (and some more virtual metaphors) in it, following a spatial structure of in for one galaxy center and out for the other, and finding cool and warm pastel lights in fetal forms. It's seeded by a psychological allegory of resisting attractive forces. Dali claimed that relativistic physics suggested the vacuum was meatspace: matter is not pulled towards other matter but pushed by muscular nothingness.
Also finished:

"Insults as Veiled Compliments", 36"x72", oil and silver paint on linen, 2009.
Almost finished:

"Respect the Autonomy of Inanimate Objects", acrylic underpainting with oils on canvas, 72"x72". Painted in brightly colored glazes, cheesy Richard Corben-style, under Nicola Verlato. I started with a spontaneous drawing and then evolved it through tracings, color studies, clay and digital models, and compositional organization.

Oil on linen, 72'x60', 2009. I started with a composite of several photographs of colliding/gravitationally interacting spiral galaxies, then improvisationally found humanoid figures (and some more virtual metaphors) in it, following a spatial structure of in for one galaxy center and out for the other, and finding cool and warm pastel lights in fetal forms. It's seeded by a psychological allegory of resisting attractive forces. Dali claimed that relativistic physics suggested the vacuum was meatspace: matter is not pulled towards other matter but pushed by muscular nothingness.
Also finished:

"Insults as Veiled Compliments", 36"x72", oil and silver paint on linen, 2009.
Almost finished:

"Respect the Autonomy of Inanimate Objects", acrylic underpainting with oils on canvas, 72"x72". Painted in brightly colored glazes, cheesy Richard Corben-style, under Nicola Verlato. I started with a spontaneous drawing and then evolved it through tracings, color studies, clay and digital models, and compositional organization.
Labels:
art,
artist,
Bruesselbach,
Janet,
Janet Bruesselbach,
NYAA,
painting,
space,
surreal
Thursday, March 26, 2009
Panni Malek
website, mostly with work from Otis and illustration.
Panni is an Iranian painter raised in Los Angeles. Her paintings examine female sexuality, celebrating a lush, sensual, elaborate and fussy femininity. She perverts the masculine conceits of high art by embracing not just figurative representation, in warm colors and Sargent-like softness, but of kitsch subjects: kitties, titties,intricate interiors. There is a subversive element in every painting: sex toys, delicate profanity, a certain over-passivity.

oil on canvas, ~20"x30", 2008

(Self portrait in French abandoned house. oil on canvas, ~36"x48", 2008

oil on canvas, ~36"x24", 2008
Panni is an Iranian painter raised in Los Angeles. Her paintings examine female sexuality, celebrating a lush, sensual, elaborate and fussy femininity. She perverts the masculine conceits of high art by embracing not just figurative representation, in warm colors and Sargent-like softness, but of kitsch subjects: kitties, titties,intricate interiors. There is a subversive element in every painting: sex toys, delicate profanity, a certain over-passivity.

oil on canvas, ~20"x30", 2008

(Self portrait in French abandoned house. oil on canvas, ~36"x48", 2008

oil on canvas, ~36"x24", 2008
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